![]() Part of that is due to the naturalistic production design as well as the look of the film by cinematographer Márk Györi. Even before the hunting trip goes sideways, Calibre has a violent atmosphere and a vivid sense of place. Calibre deals with slippery moral and ethical questions and the filmmakers lean into those questions in a way that is unsettling. These men ought to be held to account for what they’ve done but it was an accident and the fate that befalls them doesn’t feel like justice. When things go bad the men are ashamed and horrified by what they’ve done and make a series of decisions intended to be a quick fix but just make everything worse. Even though they are so different the two men have a believable friendship and the filmmakers invest the viewer in their relationship. McCann’s character is the wild and crazy instigator while Lowden plays the more restrained and responsible half. McCann and Lowden are convincing as men who have been friends for a long time and each of them has specific character turf. The movie is led by Martin McCann and Jack Lowden as old friends who go to the country on a hunting trip as a last minute getaway before one of them becomes a father. What Calibre does have is a vivid sense of grief and doom and characters who feel authentic. Calibre is the same sort of tale and the premise isn’t all that different from what we’ve seen before. ![]() Movies as varied as Deliverance, Two Thousand Maniacs! and Pumpkinhead have offered different permutations on this theme. What Works: There is a whole genre of films about city folk going to the country and running afoul of the rural residents usually after some sort of accident or insult. They attempt to conceal the crime and get out While in the woods, one of the huntersĪccidentally kills a boy. ![]() (Martin McCann and Jack Lowden) visits a rural Scottish village for a
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